一 | The countdown has officially begun for the sixth edition of the much-awaited Filmfare OTT Awards 2025, set to take place in Mumbai on December 15, 2025. As excitement builds for an evening dedicated to celebrating outstanding talent in acting, direction and technical artistry, Filmfare is now revealing this year’s nominations. Spanning 38 diverse categories, the list highlights the creativity, innovation and excellence, shaping India’s streaming landscape. With anticipation growing amongst creators and audiences alike, the announcement sets the stage for a memorable ceremony honouring exceptional contributions across the world of digital entertainment. Here are the nominations for Filmfare OTT Awards 2025: In This Article BEST SERIESBEST DIRECTOR, SERIESBEST ACTOR, SERIES (MALE): DRAMABEST ACTOR, SERIES (FEMALE): DRAMABEST SUPPORTING ACTOR, SERIES (MALE ): DRAMABEST SUPPORTING ACTOR, SERIES (FEMALE ): DRAMABEST ACTOR, SERIES (MALE): COMEDYBEST ACTOR, SERIES (FEMALE): COMEDYBEST SUPPORTING ACTOR, SERIES (MALE ): COMEDYBEST SUPPORTING ACTOR, SERIES (FEMALE ): COMEDYBEST STORY, SERIESBEST DIALOGUE, SERIESBEST ORIGINAL SCREENPLAY, SERIESBEST COMEDY (SERIES/SPECIALS)BEST (NON FICTION) ORIGINAL (SERIES/SPECIAL)BEST FILM, WEB ORIGINALBEST DIRECTOR, WEB ORIGINAL FILMBEST ACTOR, WEB ORIGINAL FILM (MALE)BEST ACTOR, WEB ORIGINAL FILM (FEMALE)BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (MALE)BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (FEMALE)BEST ADAPTED SCREENPLAY, SERIESBEST CINEMATOGRAPHER, SERIESBEST PRODUCTION DESIGN, SERIESBEST EDITING, SERIESBEST COSTUME DESIGN, SERIESBEST BACKGROUND MUSIC, SERIESBEST MUSIC ALBUM, SERIESBEST VFX, SERIESBEST SOUND DESIGN, SERIESBEST STORY (WEB ORIGINAL FILM)BEST ORIGINAL SCREENPLAY (WEB ORIGINAL FILM)BEST DIALOGUE, WEB ORIGINAL FILMBEST CINEMATOGRAPHER (WEB ORIGINAL FILM)BEST PRODUCTION DESIGN (WEB ORIGINAL FILM)BEST EDITING (WEB ORIGINAL FILM)BEST BACKGROUND MUSIC (WEB ORIGINAL FILM)BEST SOUND DESIGN (WEB ORIGINAL FILM)BEST SERIES BLACK WARRANT FREEDOM AT MIDNIGHT IC 814: THE KANDAHAR HIJACK KHAUF PAATAL LOK SEASON 2 THE HUNT: THE RAJIV GANDHI ASSASSINATION CASE BEST DIRECTOR, SERIES ANUBHAV SINHA (IC 814: THE KANDAHAR HIJACK) AVINASH ARUN DHAWARE (PAATAL LOK SEASON 2) NAGESH KUKUNOOR (THE HUNT: THE RAJIV GANDHI ASSASSINATION CASE) NIKKHIL ADVANI (FREEDOM AT MIDNIGHT) PANKAJ KUMAR & SURYA BALAKRISHNAN (KHAUF) PUSHKAR SUNIL MAHABAL (BLACK, WHITE & GRAY- LOVE KILLS) VIKRAMADITYA MOTWANE, SATYANSHU SINGH, ARKESH AJAY, AMBIECKA PANDIT, ROHIN RAVEENDRAN(BLACK WARRANT) BEST ACTOR, SERIES (MALE): DRAMA AMIT SIAL (THE HUNT: THE RAJIV GANDHI ASSASSINATION CASE) JAIDEEP AHLAWAT (PAATAL LOK SEASON 2) KAY KAY MENON (SHEKHAR HOME) ROSHAN MATHEW (KANKHAJURA) VIJAY VARMA (IC 814: THE KANDAHAR HIJACK) ZAHAN KAPOOR (BLACK WARRANT) BEST ACTOR, SERIES (FEMALE): DRAMA AADITI POHANKAR (EK BADNAAM AASHRAM S3 PART 2) MAANVI GAGROO (HALF LOVE HALF ARRANGED SEASON 2) MONIKA PANWAR (KHAUF) RASIKA DUGAL (SHEKHAR HOME) SAMANTHA RUTH PRABHU (CITADEL: HONEY BUNNY) SHABANA AZMI (DABBA CARTEL) BEST SUPPORTING ACTOR, SERIES (MALE ): DRAMA ANURAG THAKUR (BLACK WARRANT ) ISHWAK SINGH (PAATAL LOK SEASON 2) PARAMVIR SINGH CHEEMA (BLACK WARRANT) RAHUL BHAT (BLACK WARRANT) RAJAT KAPOOR (KHAUF) RAJENDRA CHAWLA (FREEDOM AT MIDNIGHT) BEST SUPPORTING ACTOR, SERIES (FEMALE ): DRAMA DIVYA DUTTA (BANDISH BANDITS SEASON 2) GEETANJALI KULKARNI (KHAUF) NIMISHA SAJAYAN (DABBA CARTEL) PATRALEKHAA (IC 814: THE KANDAHAR HIJACK) SHEEBA CHADHA (BANDISH BANDITS SEASON 2) TILLOTAMA SHOME (PAATAL LOK SEASON 2) BEST ACTOR, SERIES (MALE): COMEDY AMOL PARASHAR (GRAM CHIKITSALAY) BARUN SOBTI (RAAT JAWAAN HAI) GAJRAJ RAO (DUPAHIYA) JITENDRA KUMAR (PANCHAYAT SEASON 4) RAGHUBIR YADAV (PANCHAYAT SEASON 4) SPARSH SHRIVASTAVA (DUPAHIYA) BEST ACTOR, SERIES (FEMALE): COMEDY ANANYA PANDAY (CALL ME BAE) ANJALI ANAND (RAAT JAWAAN HAI) NEENA GUPTA (PANCHAYAT SEASON 4) PRIYA BAPAT (RAAT JAWAAN HAI) SHIVANI RAGHUVANSHI (DUPAHIYA) SUNITA RAJWAR (PANCHAYAT SEASON 4) BEST SUPPORTING ACTOR, SERIES (MALE ): COMEDY AKASH MAKHIJA (GRAM CHIKITSALAY) ASHOK PATHAK (PANCHAYAT SEASON 4) CHANDAN ROY (PANCHAYAT SEASON 4) DURGESH KUMAR (PANCHAYAT SEASON 4) FAISAL MALIK (PANCHAYAT SEASON 4) VINAY PATHAK (GRAM CHIKITSALAY) BEST SUPPORTING ACTOR, SERIES (FEMALE ): COMEDY AKANSHA RANJAN KAPOOR (GRAM CHIKITSALAY) ANJUMAN SAXENA (DUPAHIYA) GARIMA VIKRANT SINGH (GRAM CHIKITSALAY) RENUKA SHAHANE (DUPAHIYA) SANVIKAA (PANCHAYAT SEASON 4) SONALI KULKARNI (OOPS AB KYA?) BEST STORY, SERIES CHANDAN KUMAR (PANCHAYAT SEASON 4) CHIRAG GARG & AVINASH DWIVEDI (DUPAHIYA) PUSHKAR SUNIL MAHABAL (BLACK, WHITE & GRAY- LOVE KILLS) SMITA SINGH (KHAUF) SUDIP SHARMA (PAATAL LOK SEASON 2) VASANT NATH, NEHA VEENA SHARMA (ZIDDI GIRLS) BEST DIALOGUE, SERIES ANUBHAV SINHA & TRISHANT SRIVASTAVA (IC 814: THE KANDAHAR HIJACK) CHIRAG GARG & AVINASH DWIVEDI (DUPAHIYA) PUSHKAR SUNIL MAHABAL (BLACK, WHITE & GRAY- LOVE KILLS) SATYANSHU SINGH & ARKESH AJAY (BLACK WARRANT) SMITA SINGH (KHAUF) SUDIP SHARMA, ABHISHEK BANERJEE, RAHUL KANOJIA, TAMAL SEN (PAATAL LOK SEASON 2) BEST ORIGINAL SCREENPLAY, SERIES CHANDAN KUMAR (PANCHAYAT SEASON 4) PUSHKAR SUNIL MAHABAL (BLACK, WHITE & GRAY- LOVE KILLS) SMITA SINGH (KHAUF) SUDIP SHARMA, ABHISHEK BANERJEE, RAHUL KANOJIA, TAMAL SEN (PAATAL LOK SEASON 2) BEST COMEDY (SERIES/SPECIALS) CALL ME BAE (COLIN D'CUNHA) DUPAHIYA (SONAM NAIR) GRAM CHIKITSALAY (RAHUL PANDEY) OOPS AB KYA? (PREM MISTRY & DEBATMA MANDAL) PANCHAYAT SEASON 4 (AKSHAT VIJAYWARGIYA & DEEPAK KUMAR MISHRA) RAAT JAWAAN HAI (SUMEET VYAS) BEST (NON FICTION) ORIGINAL (SERIES/SPECIAL) ANGRY YOUNG MEN (NAMRATA RAO) FABULOUS LIVES VS BOLLYWOOD WIVES SEASON 3 (UTTAM RAMKRISHNA DOMALE) FOLLOW KAR LO YAAR SEASON 1 (SANDEEP KUKREJA) IN TRANSIT (AYESHA SOOD) THE ROSHANS (SHASHI RANJAN) VIR DAS: FOOL VOLUME (VIR DAS) BEST FILM, WEB ORIGINAL AGNI CTRL GIRLS WILL BE GIRLS SECTOR 36 STOLEN THE MEHTA BOYS BEST DIRECTOR, WEB ORIGINAL FILM ADITYA NIMBALKAR (SECTOR 36) BOMAN IRANI (THE MEHTA BOYS) KARAN TEJPAL (STOLEN) RAHUL DHOLAKIA (AGNI) SHUCHI TALATI (GIRLS WILL BE GIRLS) VIKRAMADITYA MOTWANE (CTRL) BEST ACTOR, WEB ORIGINAL FILM (MALE) ABHISHEK BACHCHAN (KAALIDHAR LAAPATA) ABHISHEK BANERJEE (STOLEN) ISHWAK SINGH (BERLIN) MANOJ BAJPAYEE (DESPATCH) NAWAZUDDIN SIDDIQUI (COSTAO) PRATIK GANDHI (AGNI)R MADHAVAN (AAP JAISA KOI) VIKRANT MASSEY (SECTOR 36) BEST ACTOR, WEB ORIGINAL FILM (FEMALE) ANANYA PANDAY (CTRL) KRITI SANON (DO PATTI) PREETI PANIGRAHI (GIRLS WILL BE GIRLS) SANYA MALHOTRA (MRS) SHEEBA CHADHA (KAUSHALJIS VS KAUSHAL) TAAPSEE PANNU (PHIR AAYI HASSEEN DILLRUBA) YAMI GAUTAM (DHOOM DHAAM) BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (MALE) AVINASH TIWARY (THE MEHTA BOYS) DAIVIK BAGHELA (KAALIDHAR LAAPATA) DEEPAK DOBRIYAL (SECTOR 36) JITENDRA JOSHI (AGNI) SHAHEER SHEIKH (DO PATTI) SHUBHAM VARDHAN (STOLEN) BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (FEMALE) ARRCHITA AGARWAAL (DESPATCH) AYESHA RAZA (AAP JAISA KOI) KANI KUSRUTI (GIRLS WILL BE GIRLS) MIA MAELZER (STOLEN) SAIYAMI KHER (AGNI) SOHA ALI KHAN (CHHORII 2) BEST ADAPTED SCREENPLAY, SERIES ABHINANDAN GUPTA, ADWITIYA KARENG DAS, GUNDEEP KAUR & REVANTA SARABHAI (FREEDOM AT MIDNIGHT) ANUBHAV SINHA & TRISHANT SRIVASTAVA (IC 814: THE KANDAHAR HIJACK) CHANDAN ARORA, SANDEEP JAIN (KANKHAJURA) NAGESH KUKUNOOR, ROHIT BANAWLIKAR & SRIRAM RAJAN (THE HUNT: THE RAJIV GANDHI ASSASSINATION CASE) SATYANSHU SINGH & ARKESH AJAY (BLACK WARRANT) BEST CINEMATOGRAPHER, SERIES AVINASH ARUN DHAWARE (PAATAL LOK SEASON 2) EESHIT NARAIN (DABBA CARTEL) EWAN MULLIGAN & RAVI KIRAN AYYAGARI (IC 814: THE KANDAHAR HIJACK) PANKAJ KUMAR (KHAUF) SANGRAM GIRI (THE HUNT: THE RAJIV GANDHI ASSASSINATION CASE) SAUMYANANDA SAHI (BLACK WARRANT) BEST PRODUCTION DESIGN, SERIES SUMIT BASU, SNIGDHA BASU, RAJNISH HEDAO (IC 814: THE KANDAHAR HIJACK) MUKUND GUPTA (BLACK WARRANT) MUKUND GUPTA (PAATAL LOK SEASON 2) NITIN ZIHANI CHOUDHARY (KHAUF) PAYAL GHOSE KAUL (THE ROYALS) PRIYA SUHASS, SURABHI VERMA (FREEDOM AT MIDNIGHT) SHRUTI GUPTE (DABBA CARTEL) BEST EDITING, SERIES AMARJIT SINGH (IC 814:THE KANDAHAR HIJACK) CHANDRASHEKHAR PRAJAPATI (GRAM CHIKITSALAY) FAROOQ HUNDEKAR (THE HUNT: THE RAJIV GANDHI ASSASSINATION CASE) MANAS MITTAL & PARIKSHHIT JHA (DABBA CARTEL) SANYUKTA KAZA (PAATAL LOK SEASON 2) TANYA CHHABRIA (BLACK WARRANT) TANYA CHHABRIA (KHAUF) BEST COSTUME DESIGN, SERIES AASTHA SHARMA (THE ROYALS) AYESHA DASGUPTA (FREEDOM AT MIDNIGHT) GOPIKA GULWADI (THE HUNT: THE RAJIV GANDHI ASSASSINATION CASE) ROHIT CHATURVEDI (DABBA CARTEL) VISHAKHA KULLARWAR, JOE MANSOORI (IC 814: THE KANDAHAR HIJACK) BEST BACKGROUND MUSIC, SERIES ADITYA N. & NAYANTARA BHATKAL (THE ROYALS) ALOKANANDA DASGUPTA (KHAUF) ASHUTOSH PHATHAK (FREEDOM AT MIDNIGHT) NAREN CHANDAVARKAR & BENEDICT TAYLOR (PAATAL LOK SEASON 2) SOUUMIL SHRINGARPURE (BANDISH BANDITS SEASON 2) ALEX LAMY & RICHARD HARVEY (IC 814: THE KANDAHAR HIJACK) BEST MUSIC ALBUM, SERIES AKASHDEEP SENGUPTA (BANDISH BANDITS SEASON 2) ALEX LAMY & RICHARD HARVEY (IC 814: THE KANDAHAR HIJACK) ANURAG SAIKIA (PANCHAYAT SEASON 4) ANURAG SAIKIA, MADHUBANTI BAGCHI, AMARABHA BANERJEE, RAJ SHEKHAR, VARUN JAIN, ROMY (MISMATCHED SEASON 3) GAURAV RAINA & TARANA MARWAH (DABBA CARTEL) SHIVAM & ANUJ (YEH KAALI KAALI ANKHEIN SEASON 2) BEST VFX, SERIES DIPEN BHASKAR & VIVEK DEY (IC 814: THE KANDAHAR HIJACK) PHANTOM FX (KHAUF) YFX (YRF STUDIOS) (MANDALA MURDERS) BEST SOUND DESIGN, SERIES ANITA KUSHWAHA (IC 814: THE KANDAHAR HIJACK) BIGYNA DAHAL (KHAUF) KUNAL LOLSURE (BANDISH BANDITS SEASON 2) PRANAV SHUKLA (DABBA CARTEL) TONY BABU (THE HUNT: THE RAJIV GANDHI ASSASSINATION CASE) VINIT D'SOUZA (PAATAL LOK SEASON 2) BEST STORY (WEB ORIGINAL FILM) AVINASH SAMPATH (CTRL) BOMAN IRANI & ALEXANDER DINELARIS (THE MEHTA BOYS) KARAN TEJPAL, GAURAV DHINGRA, SWAPNIL SALKAR (STOLEN) MADHUMITA (KAALIDHAR LAAPATA) RAHUL DHOLAKIA (AGNI) SHUCHI TALATI (GIRLS WILL BE GIRLS) BEST ORIGINAL SCREENPLAY (WEB ORIGINAL FILM) AVINASH SAMPATH (CTRL) BODHAYAN ROYCHAUDHURY (SECTOR 36) BOMAN IRANI & ALEXANDER DINELARIS (THE MEHTA BOYS) RAHUL DHOLAKIA (AGNI) SHUCHI TALATI (GIRLS WILL BE GIRLS) BEST DIALOGUE, WEB ORIGINAL FILM ADITYA DHAR (DHOOM DHAAM) AMITOSH NAGPAL (KAALIDHAR LAAPATA) KANIKA DHILLON (PHIR AAYI HASSEEN DILLRUBA) RADHIKA ANAND & JEHAN HANDA (AAP JAISA KOI) SUMUKHI SURESH (CTRL) VIJAY MAURYA (AGNI) BEST CINEMATOGRAPHER (WEB ORIGINAL FILM) DEBOJEET RAY (AAP JAISA KOI) ISSHAAN GHOSH (STOLEN) K U MOHANAN (ISC) (AGNI) KRISH MAKHIJA (THE MEHTA BOYS) SAURABH GOSWAMI (SECTOR 36) SIDDHARTH DIWAN (ISC) (DESPATCH) BEST PRODUCTION DESIGN (WEB ORIGINAL FILM) SUMIT BASU, SNIGDHA BASU & RAJNISH HEDAO (AGNI) APARNA SUD (AAP JAISA KOI) AVYAKTA KAPUR (GIRLS WILL BE GIRLS) SHRUTI GUPTE (DESPATCH) SUBRATA CHAKRABORTY & AMIT RAY (SECTOR 36) YASHIKA GOR (CTRL) BEST EDITING (WEB ORIGINAL FILM) DEEPA BHATIA (AGNI) JAHAAN NOBLE (CTRL) MANAS MITTAL & SAMARTH DIXIT (DESPATCH) NAMAN ARORA & HEMAL KOTHARI (DO PATTI) A SREEKAR PRASAD (SECTOR 36) BEST BACKGROUND MUSIC (WEB ORIGINAL FILM) ARPAD BONDY (STOLEN) GULRAJ SINGH (THE MEHTA BOYS) JUSTIN PRABHAKARAN (AAP JAISA KOI) PIERRE OBERKAMPF (GIRLS WILL BE GIRLS) SHOR POLICE- CLINTON CEREJO & BIANCA GOMES (DHOOM DHAAM) SNEHA KHANWALKAR (CTRL) BEST SOUND DESIGN (WEB ORIGINAL FILM) DHRUV PAREKH (CTRL) PM SATHEESH & MANOJ M GOSWAMI (AGNI) PRASENJIT DAS, COLIN FAVRE- BULLE, CAROLE VERNER & LAURE ARTO (GIRLS WILL BE GIRLS) PRITAM DAS (DESPATCH) SUSMIT BOB NATH (STOLEN) Also Read: Filmfare OTT Awards 2025 - Winners, Nominees, and Highlights。 本文来自微信公众号：经济观察报 （ID：eeo-com-cn），作者：张林 10月20日公布的三季度经济统计数据，充分体现出当前我国宏观经济运行的特征，即与高技术相关的生产和投资持续供需两旺，其中，高技术产业工业增加值同比增长9.6%，高技术服务业固定资产投资同比增长6.2%，但在经济新动能加快扩张的过程中，季度GDP增速却出现了边际的下行。
二 | 主要原因之一是三季度的消费增长相较二季度有所放缓，但同时消费对经济增长的贡献率却在提升，前者说明当前“供强于需”依然是经济运行的主要矛盾，后者说明消费变化对经济增长的影响程度正在提升。 去年的中央经济工作会议和今年的政府工作报告，都是将“大力提振消费、提高投资效益”列为重点工作任务之首，背后的逻辑就在于消费、投资和生产是耦合联动的整体，消费存在短板最终会制约生产的扩张。
三 | 观察这些年的经济数据会发现，只要代表终端消费的社会消费品零售额增速低于4%，该季度的经济增速就会落到5%以下。季度GDP统计是以生产法为主，这说明消费需求变化同步反映到了销售和生产过程中。 有一种类似于“现代版萨伊定律”的观点认为，储蓄和生产才是经济增长的来源，没有生产就不能消费，并且只有少消费才能增加储蓄和投资，或者说，消费只是经济增长的一个结果。这种观点还认为，如果消费可以促进财富的增长，那世界上就不应该有穷国，只要印钱给居民花钱就可以了。
四 | 这一观点的逻辑缺陷在于，经济循环是不可分割的连续过程，生产与消费在一个经济体系中从来不分先来后到，而是互相作用的，消费是生产的结果，但也是生产的目的。例如在计划经济体系下，经济活动围绕生产计划展开，这一极度重视生产和资本积累的体系，最终却导致了“短缺经济”。 消费活动是由千千万万个家庭，根据自己的收入与意愿分散做出的决定，或许有人消费透支，或许有人过于节俭，但这些千千万万的决定不太可能同时系统性地出错。此外，消费活动对价格信号的反应更加及时，比如一件商品供不应求、价格很高，那么无法为此付费的消费需求就被自然消除了。
五 | 企业的投资和生产活动却往往会出现集体性偏差，由于对价格信号的反馈存在滞后，在存在超额利润的领域，往往会出现过度投资，从而呈现出凯恩斯理论中所描述的经济周期波动，生产与投资活动在经济周期中也容易陷入负反馈。与此同时，在逆周期调节政策所重点拉动的领域，又往往会出现重复性的生产和投资，2015年开启的供给侧结构性改革以及2024年开启的“反内卷”，实际上都是对前一个阶段的不合理生产和投资进行纠偏。 所以说，仅仅重视生产并不能理解经济增长的全貌。扩大消费与扩大内需的提法由来已久，但直到2024年中央经济工作会议之后，系统性提振消费才成为宏观调控的共识，这是宏观调控思路的重大转向。在这一调整背后，是我国已经成为全球规模最大、效率最高、平均成本约束下技术水平最高的生产国，投资和生产的方向需要与消费需求保持正向互动，否则容易出现低价陷阱和大量浪费。 那么，既然消费活动是分散而理性的，又为何要去提振消费呢？促进消费并不是靠“印钱”来解决的，关注消费的实质是关注收入，因为消费是收入的函数，所以提振消费在很大程度上是要研究哪些因素制约了收入的增长。 再回到今年前三季度的经济统计，虽然权益市场上涨明显，有助于改善居民财产性收入，但在储蓄存款利率下调以及房租下调的背景下，前三季度居民财产净收入同比增长仅为1.7%。居民部门在房价下行的背景下仍处在去杠杆的过程中，资产缩水效应对收入预期的压制依然存在。
六 | 这就说明，需要在房产资产领域进一步落实支持性的政策。
七 | 同时，前三季度居民人均可支配收入中位数的名义增速为4.5%，低于人均可支配收入整体增速0.6个百分点，说明中低收入群体的收入增速相对缓慢。
八 | 而中低收入群体的基本生活消费支出占比较高，在衣食住行方面的支出更加“精打细算”，这也能解释为何三季度食品、衣着以及居住方面的消费支出增速相较二季度边际下行。这就说明，还需要提高社会保障兜底水平，以缓解居民消费支出的后顾之忧。 在经济运行中最亮眼的领域——高技术制造和生产，同样也离不开消费需求扩张的支撑，比如为情绪价值付费意向较高的群体，将来也会是元宇宙、脑机接口的主要消费群体，而新型储能、未来网络、人形机器人等前沿产业，也只有在覆盖广大中低收入群体后，才能真正转化为广泛的生产力。
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再见阿郎
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但愿人长久
哑巴新娘
侦探物语
千王之王
